I’ve been making wetplates for three years today!
Since my last wetplate birthday, I’ve done my first wetplate wedding shoot, hosted more workshops, done portrait and model shoots, made almost 100 plates of Ingvild Eirings Bad Mice and even had a few wetplaters from the USA visit my tiny studio in Norway.
I’ve made 900 plates during my first three years in this mad scientist kinda photography. I failed miserably on taking my darkroom on the road this year, I hope to change that next year!
And by the way… I’m having a SPOOKTOBER SALE in my Etsy store. Everything is 30% off the entire month. Check it out here.
The collage features one image from each month of my third year as a wetplate photographer, starting with October last year in the upper left hand corner and finishing with September this year in the lower right hand corner.
A year ago I ventured into the world of wetplate photography as prepared as I possibly could be – I had read several books, countless articles, watched I-don’t-know-how-many videos on YouTube and attended a workshop before I went it alone. Still, I had a lot to learn… Still, I have a lot to learn, but I’m starting to get the hang of it.
I’ve made 225 plates during my freshman year as a wetplate photographer and learned just as many lessons (or so it feels like). I’ve set plates on fire and made images disappear. I’ve scratched plates and dropped them, spilled chemicals all over my darkroom and on myself, and don’t even get me started on the varieties of working too slow/too fast that’s gotten me in trouble, not to mention the plethora of quirks the chemicals can induce. But among all the fails, I’ve also had quite a few wins. In short, being able to tell what’s wrong when something is “off” and know how to fix it is the biggest win. It took a year to get there, but I’m confident when I say “I know what I’m doing,” now… or, y’know, most of the time.
The collage features one image from each month of my first year as a wetplate photographer, starting with October last year in the upper left hand corner and finishing with September this year in the lower right hand corner. Models are: Ingvild Eiring, Janne Ebbesdatter Lavogez and yours truly.
If you’d like to see more of my wetplates, head on over to julieloen.com or follow my adventures in wetplate photography on Instagram.
Polafornia will finally get a belated release party next Saturday on August 26th at Cyan Salong in Oslo. Ingvild and I will be there from 12.00 to 22.00. At 14.00 we’ll give a talk about our trip, if anyone’s interested. The book will be available to purchase, as will postcards and posters. Hope to see you there!
And while you’re still here, allow me to mention that Polafornia is now available at Tronsmo and Cyan Salong in Oslo. If you’d like a signed copy, you can order one from my Tictail shop.
And just one more thing, foto.no has posted an article (in Norwegian) about All the Things a Woman Oughtn’t Do – The Ballad of Zerelda Glanton. Read it here, I think it turned out pretty nice. 🙂
From my first wetplate shoot with model Ingvild Eiring.
I’ve been dreaming about this for years! So, I finally decided to do something about it – I bought a large format camera, chemicals and equipment, and a month ago I attended a wetplate workshop hosted by Sarah Lycksten in Sweden, and have been busy shooting plates since.
I’ll make a dedicated gallery for my wetplate work over at julieloen.com as soon as I have enough decent plates to show off. In the meantime, you can follow my progress and fails on Instagram – I’ve set up an account dedicated exclusively to my wetplate work called Aether & Instant.